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VTXIFF – Les Sales Cons Talks with OMBG

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Making their way to the Victoria TX Independent Film Fest is Les Sales Cons, a French based comedic hip hop group invited to Texas to perform at the Roundball afterparty on Friday April 5th at the Golden Gecko. Les Sales Cons is a featured artist on the Roundball soundtrack and their performance is being recorded live as part of the festival’s many unique activities that incorpate festival goers with not just film, but music and art to engage participants.

Les Sales Cons took time out to talk with Timothy Danger of OMBG about the group and coming to the film fest.

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TD: Let’s talk band history. How did you guys form?

LS: It’s a very old story…

The band formed because we don’t have anything else to do… (laugh)

It was the time when everybody in the world did rap, and also in a very easy way especially in France.

So we decide to create a rap band against rap and to do it in a easier way by bringing the old manner of rapping (I mean with real topics of society and a different flow) but in a real sarcastic and a critical way.

So the band born more or less like a joke.

All members of the band are musicians, Mac Traitre is guitarist and La Note is Bassist and percussionist, so we want to have a first concert to know what the impact could be on our city.

And surprisingly, it worked… People started to talk about us and to spread the word that a new white trash rap band was born. So we kept on until now and also we succeed in bringing our instruments we play live on stage and to give a real comical way (stand up way) to our show (in French).

 

TD: Tell us about your songwriting process. Humor seems to play a big part in your video, is that something you do to stay different from others?

LS: Absolutely YES, we wanted to be serious on such subjects and to say the reality in a such manner but always by trying to be funny and extravagant…

In fact as you know when you’re talking a joke you have to be serious instead of laughing, if not the joke doesn’t work.

So we play between the 1st and the second degree and sometimes people wonder if we are serious or not when they listen our songs…

 

TD: The motto “We rap out loud what nobody is thinking” is an interesting one, what are some of the themes or topics you tackle with your songs?

LS: The topics are based on true events, or they born from a frustration that could be sexual or financial or political. Basically the very first topics were about sex (like “Nichons” or “Par le cul y a moyen?”), and other texts were made by automatic writing (Rien d’Utile), but now we also tackle with other subjects like cannibalism, suicide, politics, consumption, discrimination, society…

 

TD: Do you think your music is a good way to get your point across and maybe get others to agree, or do you think you just do it for personal satisfaction?

LS: We don’t care if people are agree or not on what we say, we just do it for fun and we want that our audience has fun too.

It’s like to say “Stop thinking for a moment, stop being serious for a while, and have some fun with us and people around you”.

Our point is maybe to say to people, think what you want and say what you want, don’t be afraid of what you are.

 

 

TD: Will this be your first time in the United States or Texas? What are you most looking forward to?

LS: Yes, first time ever, so we’re very exited to be in the USA and especially in Texas.

The most we’re looking forward is fun, guns, food and bitcheeeeeees (laughs)

Seriously we’re happy to do that concert in Victoria, and to see what could be our impact on an American audience, but all our songs are in French, so we will see.

 

TD:How is the music scene where you are at? What’s the most memorable thing that has happened to you there?

LS: Well, we live in Strasbourg (the European capital because of its European institutions) in France, it’s a very little town with about 200 000 people in the downtown and 500 000 with the surroundings.

But even if it’s not too big, the music scene is very eclectic. You can find 3 main places for doing shows and also we have the biggest Zenith (it’s like the biggest place to do shows) in France.

But the city is a very cultural one with a lot of young people, because of the universities, and you can do show also in bars.

The most memorable things that happened to us, we thought about 3 things.

The first was in Strasbourg when we’re playing a song (Nichons or Tous des cons, we don’t remember), there was a girl in the public who started to cry and to throw a plastic glass full of beer to us on stage and she was screaming “why do you say that? Why do you say that?” It was very funny, but we never understood her reaction, because we don’t want to hurt anybody in our songs…

The second one was always in Strasbourg when for the first time we bring on stage 2 girls for dancing with us and get undressed, but also our instruments (guitar, bass and percussions played by the two Mcs) and we also buy some confetti tubes for the show. It was few days before Christmas and all the people were costumed and at the end of our show a good part of the people get on stage and ended the show with us. It was a really good mess. We enjoy a lot that show.

The third one happened in a little village called Landsberg always in France, when the band was very young and not so known. We play in a little bar with no stage and with about 30-50 peoples in front of us. And the amazing part was that all the peoples knew almost all of our songs and they song with us all along. It was very surprising.

 

 

TD: What are the best ways for people here in the US to find your music?

LS: You can use Deezer to find out our music or also reverbnation.com/lessalescons or myspace.com/lessalescons.

We’ve done 3 video clips that are on youtube: Rien d’Utile, Dans nos filets, and La Grande Bouffe. And also a promotional one for our album “Mettez-vous des claques!” (Slap yourselves in the face!)

But the best is on facebook “Sales Cons”.

Our label based on Toulouse failed, so we have a lot of CDs to sell, and facebook it’s the best way for us to do that. So if you’re interested send a PM to us ;)

 

 

TD: What are your future plans for after the film festival?

LS: Nowadays we’re all juggling with jobs and side projects, and also because the label failed, we’re asking to ourselves if we have to keep on or not.

We have also ideas for a new album, lyrics are made and also some of the music, so we are open to all propositions…

 

3 Things We Would Rather See Than Hologram Tupac

Dear Coachella, Ok, we get it. You had a fancy hologram of Tupac come out and dazzle the crowd opening night. I’m not surprised, actually I didn’t even click on the link when I first saw it yesterday. It’s the sort of thing I expect from multi million dollar concerts like yours. You should wow somebody. I am pretty ok with that, I am even ok with the fact that the “modern” world is going apeshit over this little stunt. They should. I mean it cost enough. But let’s be honest, it’s not a true hologram. It’s actually a projected 2d image created by the Digital Domain Media Group that also uses a visual trick called Pepper’s Ghost. “This is not found footage. This is not archival footage,” Digital Domain’s chief creative officer Ed Ulbrich told the Wall Street Journal. “This is an illusion.” That’s why I can’t figure out what the big fuss is about. There is so much of it, after 5 minutes of dancing around and rapping, there is talk of a full scale tour. And for the life of me, a music tour, is about… well performance. It’s not about a pre recorded optical illusion right? I mean that’s what I thought. But America doesn’t mind paying for boy bands and pop acts that lip sync, I guess paying top dollar for an act that isn’t real isn’t a big deal. Me on the other hand, I like the shock and awe of what may or may not happen at a live show. But since we are on the subject, I think the powers that be chose poorly. If we are going to spend 6 figures for a five minute performance, let’s see something that would be really cool. So without further ado… here are three things I think we would have been better off seeing. #1 Run DMC (Jam Master Jay) Picture this… You got today’s rap in the mainstream that is pretty much samples and autotune, and no lyrics just a hook over and over and you got all these guys talking about stuff I don’t have… They talk about Escalades, sitting around in hot tubs with big booty chicks, too much money, their mansions, traveling to Europe to shop for suits they have to wear on court day (but they’ll never get caught) etc… It ain’t me. I can’t identify with mainstream rap. I like underground hip hop. Stuff that I can relate to. On another note, I love eighties hip hop because it was just fun. And what better rap act to bring back than RUN DMC? This is one of the most influential acts in history, the first to make a solid connection about the MC and DJ relationship, and speaking of DJ… Imagine Jam Master Jay in hologram form. That’s epic. #2 SKINNY Danzig Yeah… we know Danzig ain’t dead. But he kind of is. If you had seen last year’s horrible effort at Fun Fun Fun Fest 2011 in Austin you would know that according to festival organizers a fatter balding man who claimed to be Danzig showed up, made impossible demands, wanted french onion soup, wind screens, a stage heater, better lighting and refused to go on until he was 45 minutes late, THEN when the park was shutting down at 10pm and they told him he had 5 more minutes, he proceeded to tell the crowd how he just wanted to play for you guys and how oppressed the show was stalling for more time. This ain’t the Danzig we wanted to see. The Danzig we remember from the old days. A better in shape and dark soul has been replaced by less hair, a prima donna attitude, and the only muscle that got bigger was the table muscle. So imagine Danzig Legacy touring with a hologram young Danzig. Word. Holograms can’t complain about the lighting… they are light. Check out this footage of Danzig now and you tell me. #3 THE TRONS I don’t want to see these guys as a hologram, but if you are going to have non humans on stage. Make them Robots. I fell in love with The Trons a few years ago, and interviewed their creator about them. This band is a total garage robot band, built by their manager who is also a musician, they play their own instruments, have developed voice and “personality” and have even gone on tour. It’s not 6 figures… it’s real life garage rock. You could do way worse…