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Being There

Interview with Sam from Being There by Timothy Danger.

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B/CS Loud!Fest Bryan’s Annual Independent Music Fest Begins Tonight

Loud!Fest

 

Tonight, OMBG is heading to Bryan/College Station for their annual Loud!Fest shenanigans. The founders of Loud!Fest started it because they were tired of local bands getting kicked around by other supposed “local” festivals, so they decided to start their own using their own ethics as musicians who share stages and often work together anyway.

 

We LOVE this concept. This is something that just about every regional group of bands tries, but doesn’t seem to pan out or stay true long term, but for Loud!Fest,  entering it’s 5th year with much anticipation from both fans and bands, it looks like something that isn’t slowing down anytime soon.

We are happy to attend and bring back vids and pics, and hopefully some interviews… but why wait on us? You should go if you are in the area. Why? It’s only 5 bucks for a wristband for both nights. That’s more than 20 bands spanning 2 venues in 2 days.

Here’s the lineup:

FRIDAY, MAY 18TH @ REVOLUTION CAFE & BAR
8:45p – Girl Band/K&K ENT (indoors)
9:30p – See Rock City (outdoors)
10:15p – Stout City Luchadores (indoors)
10:45p – Only Beast (outdoors)
11:30p – Modern Convenience (indoors)
12:15a – Skyacre Spyplane (outdoors)
1:00a – The Ex-Optimists (indoors)

SATURDAY, MAY 19TH @ REVOLUTION & STAGECENTER
6:30p – ASS (Revolution)
7:00p – Sea Of Wolves (Stagecenter)
7:30p – Mike The Engineer (Revolution)
8:00p – Rubela Muti (Stagecenter)
8:30p – Strike Threagles (Revolution)
9:00p – Labs (Stagecenter)
9:30p – The Stand Alones (Revolution)
10:00p – Modok (Stagecenter)
10:30p – Come And Take It (Revolution)
11:00p – Chelsea Hotel (Stagecenter)
11:30p – Lee Bucker & The River Bends (Revolution)
12:00a – Venomous Maximus (Stagecenter)
12:30a – Cavegirl (Revolution)
1:00a – Alkari (Stagecenter)
1:30a – The Hangouts (Revolution)

 

For more info: http://www.bcsloudfest.com

Nations Afire release new video for “I Am An Army”

Nations Afire have released a new video for their track “I am an army” which is off their upcoming debut “The Ghosts We Will Become” which will be out later this year.

The band features members of Ignite, Rise Against, and Death By Stereo.

Website: http://www.nationsafire.com

Facebook: https://www.facebook.com/NationsAfireOfficial

Twitter (Entire link please): http://www.twitter.com/nationsafire

YouTube: http://www.youtube.com/user/NationsAfire

Myspace: http://www.myspace.com/nationsafire

LastFM: http://www.last.fm/music/Nations+Afire

SoundCloud: http://soundcloud.com/nations-afire

PureVolume: http://www.purevolume.com/nationsafire

Local News: local band Commending The Fallen releases video produced by local indie film outfit Shatter Glass Entertainment

A while back, we had local band Commending The Fallen as a featured artist. These guys were a Christian Metal Band and… all things being equal, they fit the criteria of local music that we wanted to promote despite their genre or belief system. (local, unsigned, DIY, and grassroots). We also featured a small indie film director (now going by the name of Johnny Lee Riker) with Shatter Glass Entertainment around the same time. John had a film that featured a cheating girlfriend being murdered during coital bliss with a gun attatched to a sex toy (seriously “T is for Trigger” look it up).

The two have collaborated to make this music video. We think it’s important and… we take a lot of the credit/blame for it AND we don’t mind. Why? Because in this day and age everyone in the modern punk, indie, hipster bullshit world is trying to be so PC. People make it impossible to tell dead celebrity jokes or political mutterings, and you can’t even order in a eatery without some wanna be punk kid or a straight edge kid not old enough to drink telling you that you are poisoning your body. Everyone is either a feminist, a vegan, a fauxtivist, or some kind of lame meme sharing entity on facebook who shows their political leanings by some graphic that they didn’t make much less bother to research.

And yet out of all this… OMBG brought you a video of a Christian band made by a horror film company that has a flagship movie featuring a gun dildo.

You’re Welcome

Gary Watson — After Twilight

Interview with Gary Watson — Writer of After Twilight

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For more information on After Twilight, check out their WEBSITE.

World Premier Gameplay Trailer for Assassins Creed 3!!

Here it is guys, the first full gameplay trailer for Assassins Creed 3!!

 

Aw man is this game looking better and better!  The entire trailer was done with actual gameplay footage.  So when you see Connor killing multiple enemies in a row while on the move, you better believe that’s how it’s gonna be in October when the game comes out.  The action looks incredible.  I personally can’t wait to use that tomahawk myself.  And by what the dialogue suggests, especially when Connor says, “Part of me wants to fight and repel, all outsiders.”  It seems as though Connor may not just be targeting British soldiers.

 

You have to realize, Connor IS and Assassin.  He’s going to be going after the Templars, whether they be on the side of the British, or on the side of the Revolutionaries.  So this probably just won’t be an American story.

 

Nether the less.  Assassins Creed 3 is looking to be one of the biggest releases for 2012.

 

What did you guys think of the gameplay trailer? Good? Bad? Let me know!

New show “King Of The Nerds” Threatens To Be “Pain In My Ass”

My good friend, Star Wars Fan, favorite barista, and all around social media hound Alyssa alerted me to this link about an upcoming TV show via Facebook:

 

http://www.nerdking.net/

 

It’s… get this… a TV show…. ala reality way (from the producers of none other than Survivor and Amazing Race mind you) about… nerds. More specifically… the search for the “King Of The Nerds” if the title of the show has anything to say about it. You know the pitch. A hip group of well put together kids (because you can’t be too old now can you?)most likely with blocky glasses and sweater vests to rival Kanye West will compete for the title by way of various trials and challenges made to test their “nerd” mettle. Whatever that means.

How do you know it’s legit? Why they say “nerd” 16 times in this press release and “geek” 3 times for good measure, so you know they mean business. They tell you that if you are passionate in things like sci fi or gaming, or even things like learning or books, you should probably hurry up and apply. No worries about your image kids, like the pocket protector graphic says in the website “Geek is the new cool”.

Tell me Mr. Big Shot producers… why is it that if I like Star Wars or Star Trek…. If I like D&D or Comic Books…. or even if I’ve been to Burning Man ( You lost me on that one there Richie Rich) tell me why if I like or am passionate about something other than the typical top 40 music listening, get-all my-news- from- TMZ,  go- see- a- movie- forget- about- the- book sheep of America I am a nerd and should be classified as different, and then not only be classified, I should hurry up to compete with the other people you exploit for your cash prizes?

Oh wait… I forgot… Your contest promises not to poke fun right? It promises to celebrate the nerd. Why you even have washed up movie stars from the 80s judging the show so I should take your hip credentials even more serious.

Yeah dude… you just don’t get it.

I guess it’s hard to explain. I keep taking you guys back in this blog. Back to when I was a kid. Back to when I was learning about the way things are “supposed to be” and how I was told to just “do what you’re told”. I sometimes look at our moniker and see the words “nerd culture” and sometimes when I talk to publicists and interview subjects and we pitch the cast, the word “nerd culture” pops up alot. I’ve written about it before. It’s confusing because when I was growing up, there was no such thing. It was simply a kid liking what he liked. There was no tumblr or pintrest. No facebook or flickr, or even blogs back then. So liking something different was really a labor of love. Playing a tabletop game like D&D meant no girlfriends could be around. If they saw, you’d likely be dateless for awhile, Star Wars was like practicing religion in a communist state, and comic books were the icing on the cake. Being a “nerd wasn’t cool. You weren’t getting invited to parties. But you liked what you liked, you lived what you loved, and if you were lucky, you made friends.

That was and is a lifestyle for me. Going out and sticking to our guns trying new music, having courage to tell dead celebrity jokes and going against the norm especially when it is tasteless and bad form is what we do. I know it’s hard for some to understand. And maybe that makes me crotchety or not with it. Maybe that’s why people over 30 can’t audition. But let me just say, that this website isn’t fooling this dinosaur. Please don’t act like you are trying to celebrate a genre that is “ascending” and “misunderstood” It doesn’t take a Mensa member to see the numbers of superhero movies and CNN updates from comic con to know what you’re up to. The only thing you want to celebrate is your future pay day off this show, and you don’t care who you step on to get it.

Comic Books Get A Little Punk Rock

Art By Guy Denning, Black Mask Studios

 

A few weeks ago, I put up a blog about 30 days of Night creator Steve Niles, Halo-8′s Matt Pizzolo, and Bad Religion guitatist Brett Gurewitz banding together and forming their own comic book studio to help out indie comics. As it comes to fruition, it has been in the news more lately.

 

I applaud the effort. While I love the comic books I grew up with, the grown up in me also loves the way comic books work as an art form. I have written about the power of the written word before. As a kid in high school, angry at the establishment and the fact I would get edited too quickly in my school newspaper, zines spoke to me, and when I started my own zine and began distributing them at shows, that was even better. Here were my words, my thoughts, my rants, and my dangerous young and growing mind on display for anyone at the local punk rock show to pick up and read.

Indie comics are pretty much the same thing. We go to events like Staple! in Austin Texas every year just to meet up and coming indie comic makers. Some of them will never see a print run of more than a few hundred, but the stories they hold are much more than the standard fare. Here are the true story tellers. The one taking chances. The people who will give you a comic that can make you think, laugh and cry. I’ve seen it. I’ve read it.

And yet… they may never get a chance to distribute their labors of love. For most, it will not matter. One does not create to make money. One creates to put something into the world. It’s inside them. It cannot be fought. So I personally welcome Black Mask Studios. I hope they really make the waves they need to make. I hope it takes off better than Image did in the 90s. I think that it can.

It’s interesting that this is being done with a punk rock DIY ethic, and that it takes these awesome people involved to make headlines when indie comics have been around as long as mainstream. But hey… welcome to the party.

“We share that DIY approach; everything I know about business I learned in the New York hardcore scene,” he explained. “We designed the company to be more creator-friendly than the majors, but less winner-take-all than the indies. We want to build a coalition where everyone can do their own thing but interests are aligned so we’re all in it together.”- Pizzolo in an interview with Wired

Bemused Abused, Silver Seeds, New Cassette Released Today

May 8, 2012 (Austin,TX) -  Teflon Beast is proud to present BEMUSED ABUSED. Our 9th (yes, 9th!!!) tape release is sure to be of great interest to listeners of patient, beautifully performed instrumental music.

Bemused Abused is Karl M V Waugh and Paul Davies from Brighton, England. Best described as “ambient,” their album Silver Seeds exemplifies the hallmarks of the genre while at the same time they’re focused on achieving a uniquely personal vision beyond simple style exercises. The five compositions that make up this album were recorded in a single day in August 2011 with the two players using only guitar and keyboards to wrestle their creativity into an album that works from start to finish. Once this tape is over the listener wants to flip it and start again. Bemused Abused came to the attention of TBR via the online music community forum, Bang the Bore (bangthebore.org). The site is a place where individuals can ”write about music, connect people, facilitate collaborations and share information.” BA’s cassette is a great example of people reaching out and working to create cool new music. Don’t miss this tape! 
***NEXT MONTH: Standing in stark contrast to the subtle textures of BA, TBR’s 10th release will be a CD (our first!) of ripping pounding squealing improv by a duo (also from England and Bang the Bore) called Defibrillators.

THANKS FOR LISTENING!
Jeff Daily


For further information, or press materials please contact: teflonbeast@gmail.com

It Came From the Bargain Bin! — The Funhouse

It Came From The Bargain Bin Movie Review by John Thurmond.

I love bad movies.  I always check the bargain bin for cheapo movies, diamonds in the rough.  Sometimes, you get lucky and find something awesome.  Sometimes. . . .not so much.

 

 

The Funhouse

 

 

The Funhouse came packaged as one film in a fourpack at that beacon of capitalism, Walmart.  The fact that these four movies together are worth about $5 to the studio that owns the rights should tell you all you need to know, but I bought this pack for one reason: The Serpent and the Rainbow, which I’m a huge fan of.  The other movies were Phantasm 2, Sssssss, and the aforementioned The Funhouse.

 

 

Now, The Funhouse should be a cool movie, and I wanted really badly for it to be.  It’s directed by Tobe Hooper for God’s sake, he of The Texas Chain Saw Massacre and Poltergeist fame, and if you’ve seen either of those, you know they’re great. Sure, I remembered that he also did Eaten Alive, but I refused to let that sway me.  In hindsight, I should have.  The Funhouse is very similar to Eaten Alive in pacing, acting, and scary moments, of which there are seriously few.  But Hooper didn’t write it, so I guess he was just working with what he had (guess who did?  Larry Block.  He has two credits to his name on IMDB:  This movie and a little gem from 1990 called Captain America)

 

Let’s take a look at our characters:

1.  Amy – the main protagonist, the for-the-most-part wholesome girl next door. She’s our only survivor.
2.  Buzz – Amy’s date, and all that is man.  He’s a mechanic, and drives a souped up car.  Imagine Han Solo in a Member’s Only jacket, and you’ve got it.
3.  Liz – Amy’s best friend, and the shrieker of the movie.  That’s probably how she got the part.
4.  Richie – Liz’s bumbling boyfriend.  Every idea he’s ever had has probably been a bad one.  More on that later.

 

 

About the coolest thing in the movie happens right at the beginning.  It opens with Amy getting ready to take a shower (and as an 80s horror film, nudity under 10 minutes in is a requirement).  We cut back and forth from the shower to someone sneaking around a room, taking a mask from the wall, a knife from the wall, and then stalking slowly toward the bathroom.  This scene is shot just like in the beginning of Halloween, with the camera looking through the mask.  The shower murder scene is pretty similar to Pyscho as well, a nice homage that unfortunately doesn’t mean anything about what happens in the rest of the movie. But it turns out the murder scene isn’t a murder at all, and the killer is Amy’s little brother Joey, and that the knife is fake, and all this.  It was about the most suspenseful, scariest part of the movie, and it was all a joke.  Keep that in mind.  (Not to mention little bro busting in on his big sister in the shower.  Good joke and all, but kinda creepy).

 

 

One thing I would like to mention here is the horrible sound effects used in this film.  From the moment Amy turns on the water and it sounds like a jet taking off or something, you know you’re in for a treat.  I spent most of the movie on the lookout for sounds that made no sense, and I was not let down.  Cigarette lighters sound like broken bones.  Knifes make ridiculously loud noises when they are unsheathed.  None of it really makes any sense.

 

 

Anyway, Amy and Joey’s parents are downstairs watching The Bride of Frankenstein while their daughter could have been being killed upstairs (she screamed and everything, but they’re really into the movie).  Amy leaves for her date with Buzz, and they head off to the carnival that’s in town, picking up Liz and Richie along the way. Apparently, there was some “trouble” when the carnival was in another town a while back, but that’s not really a reaosn not to go, is it?  They smoke some pot on the way, cause that’s what teens did in the 80s (Buzz is a teen, even though he looks like he’s 26), and the fact that Amy refrains from joining in probably has a lot to do with her surviving the movie.  It’s horror movie laws at work.

 

 

So the kids go to the carnival, and we get to spend the next 30 minutes just watching them test their strength (of course Buzz rings the bell? What kinda question is that?), go to magic shows and fortune tellers, and sneak a peek at the peep show by cutting a slit in the tent.  When did peep shows at carnivals go out of style?  The carny advertises with the slogan “They wiggle and they dance”!  I mean, I’d have to go see that.  I’d be compelled to.  But I know, I know, 70s, free love, etc, etc. And speaking of carnies, the carnies at this movie are fucking awesome, just the quintessential, stereotypical carny.  When I say carny, and that image pops in your head, I’m telling you that guy was in this movie.  Small hands, and probably smelled like cabbage.

 

 

While our characters are doing this, Joey sneaks out to go to the carnival too, and he gets there and starts looking for the group.  He sees them go into the funhouse, but not out, and that’s because the kids have decided to spend the night in the funhouse . Remember what I said about Richie and his ideas?  Yeah, this was his idea.  From here on out, it’s pretty basic.  The kids witness this guy I’ll call Young Frankenstein (cuz he wears a Frankenstein mask, being that he’s a horribly disfigured demon child) kill the fortune teller (a misunderstanding over prostitution and services rendered.  The handjob counts, apparently, and Frank can’t have his money back just cause he jumped the gun) and thus our movie truly, finally, thankfully, begins, 45 minutes into our feature (Joey will be fine, he gets caught by King Carny and his parents pick him up later. It’s really not that important to the plot).

 

As the kids try to escape the funhouse, they happen upon Frank’s room, and Richie steals the money there (lots of money, apparently, not just the money Frank wanted back from the fortune teller).  Bad idea number 2.  Five minutes later, Richie gives the whole group away when he drops his lighter cause he was trying to get a closer look at things.  You can tell this guy is totally gonna die first.

 

And die first he does!  He ends up getting a noose wrapped around his neck and then lifted out of frame.  Liz screams and screams, but to no avail.  And when someone starts to come down the rails in one of the funhouse cars, Buzz does the obvious thing.  He produces an axe (from where?  doesn’t matter) and plants it in the head of the person in the car.  Only it’s Richie!!  Then the car moves along, and we’re treated to a shot of Liz crazily chasing her dead boyfriend who still has an axe sticking out of his head.  She falls through a trap door where she is greeted by Frank.  She tells him she’ll be nice to him and she’ll make him feel good, cause she knows he likes girls, but then she just stabs him in the back when he gets close (just like a woman!  and where’d she get the knife. . . .you know that doesn’t matter).  So then Frank kills her,entirely out of frame, for the most part.

 

Buzz and Amy are confronted by King Carny, as I’ll call him (he’s Frank’s dad!  I’d hate to see Franks’ mother), and a fight ensues between the two dudes.  Carny can fight, but ends up impaled on a knight’s sword.  This cues Frank to drop from the ceiling like Spider-Man or some shit, and Amy runs away while Buzz deals with freaky Frank.  Alas, Buzz doesn’t make it, and Amy is left alone and lost in this funhouse, which really seems to go on forever.  We get some shots of all the crazy shit in the funhouse, Amy finds her dead friend Liz in Frank’s room, and then he tears the door down.  Well, most of it.  He has some trouble with the knob, which is wierd, cuz Amy didn’t lock it, but whatever, it doesn’t matter.

 

 

Amy escapes to the . . .um. . . control room, I guess.  It’s the area where all of the gears and chains and circuit boxes and shit make all the funhouse stuff move and light up.  But Frank finds her, and we have our final confrontation.  Franks drools and screams and growls at Amy, who knocks a ladder over into these two big gears (which crush the ladder. . . remember that), and finally wields a tire iron to defend herself.  She gets a few choice shots in, but Frank takes it from her, and ends up getting it into the exposed circuit box and frying himself.  So that’s that, crispy Frank, done deal right?

 

 

Wrong!  You always have to kill the bad guy at least twice!  But he is hung up on a chain or conveyor or something and is slowly being dragged toward the two big gears from earlier, and won’t let go of our protagonist.  But Amy escapes, and we’re treated to Frank pinned between the two gears, flailing about like a fish outta water and screaming like a banshee, while sparks fly in the background, Fourth of July style. This does the job.

 

Amy eventually finds her way out (it’s the next morning), and does the stagger-away-from-the-scene thing every lone survivor does at the end of a horror movie.  Two random carnies are off to the side, and they look like they’re in just as bad shape as she is, which is weird, cause they didn’t just survive a night of terror (or maybe they did, who knows what carnies do on their time off.  I bet they party balls).  So Amy just walks away from the funhouse, and that’s our movie.

 

 

Pretty flipping weak.  There was no real action until the last 30 minutes, and even then, it wasn’t all that much.  Richie looked pretty cool with an axe sticking outta his head, and Freaky Frank was not only gruesome looking, but pretty well acted be whoever was in the mask (shit, I hope it was a mask).  All of the actors did ok, Elizabeth Berridge as Amy probably the best.  You may have seen Cooper Huckabee (Buzz) lately if you’re a True Blood fan, and he does an ok job here as the manly man.  The movie is low on gore, and that’s fine, but the scares were few and far between, and I didn’t get a creepy vibe most of the time, even though that’s what Hooper was going for.  It just didn’t do it for me.  But check it out yourself sometime, see what you think.